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      <image:title>Remembering Yoshito Ohno - Make it stand out</image:title>
      <image:caption>Reprinted w/thanks to Toshio Mizohata and Dance Archive Network</image:caption>
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      <image:title>Henry Miller issue 1 - Make it stand out</image:title>
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      <image:caption>back cover photo of Third Rail #6 by Ira Landgarten</image:caption>
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      <image:title>Remembering Kenneth Rexroth - Make it stand out</image:title>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <lastmod>2022-06-24</lastmod>
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      <image:title>Uri &amp; Linda - Bin Laden performs a cabaret act undercover with the Mujahadeen chorus line, Reagan’s CIA-trained freedom fighters, direct from Afghanistan, back for an encore, singing "New York, New York" for Islamists worldwide: If I can make it there, I can make it anywhere. Bush’s mission: to take on his father’s imperial mantle, to use the cry of other battles, to sweep away what’s left of democracy, to destroy a hidden enemy, to front for America Inc. on a global scale based on buying and selling oil to fuel the war machine. Citizens, stay alert! If you notice someone doing anything suspicious, report him to authorities before he can carry out his plan. Reagan, drooling in Bel Air, knew nothing of this nightmare in the image of a role he had once portrayed when he played on the international political stage, but had long since forgotten in the fog of dementia. The son for the father, parodies of history, the first time as tragedy, the second as farce.</image:title>
      <image:caption>Bin Laden performs a cabaret act undercover with the Mujahadeen chorus line, Reagan’s CIA-trained freedom fighters, direct from Afghanistan, back for an encore, singing "New York, New York" for Islamists worldwide: If I can make it there, I can make it anywhere. Bush’s mission: to take on his father’s imperial mantle, to use the cry of other battles, to sweep away what’s left of democracy, to destroy a hidden enemy, to front for America Inc. on a global scale based on buying and selling oil to fuel the war machine. Citizens, stay alert! If you notice someone doing anything suspicious, report him to authorities before he can carry out his plan. Reagan, drooling in Bel Air, knew nothing of this nightmare in the image of a role he had once portrayed when he played on the international political stage, but had long since forgotten in the fog of dementia. The son for the father, parodies of history, the first time as tragedy, the second as farce.</image:caption>
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      <image:title>Uri &amp; Linda</image:title>
      <image:caption>The American matrix is programmed with codes torn from our history's circular nightmare. Under cover of patriotism and religious authority, it directs blindfolded masses to believe in a medicine show where souls are lost behind promises of eternal life. The American deathwish takes on a life of its own in legends of the dimestore cowboy's revenge. God, father, president, general, priest, protect me daddy, punish me with rapture. The snake oil salesman's smirk reveals that Bush knows he has gulled the faithful flock once again. Looks like four more years of that old jihad heehaw. Hang on tight and get ready for a rocky ride. (11/3/04)</image:caption>
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      <image:title>Uri &amp; Linda - Strap Rumsfeld to a board and immerse him in water until he thinks he is going to drown. Then ask him to define the word torture. -- Daniel Ellsberg Tie Rumsfeld down. Behind cold steel bars at an undisclosed location, sic German shepherds on a naked and cowering Cheney until, broken, he gives up the names of his accomplices. Force the neocons in the Bush administration to have group sex with Chalabi and a quorum of Iranian mullahs. Coerce them into revealing the secrets behind their intersecting conspiracies. Blackmail John Ashcroft with lewd photos and videotapes of his erotophobic fantasies obtained from the ghost of J. Edgar Hoover. Extort from him a solemn promise that he will handcuff himself to the bars of a cell for an indeterminate period to investigate his own corrupt ideology of unchecked police power by order of the State and unlimited control over bodies and minds of his fellow Americans. Dress Condoleezza Rice in a dominatrix bustier. Make her tear off the president’s mask and put a hood over his head to cover that idiot grin. Ship the commander-in-chief back to his ranch in Crawford shackled to the grill of his pickup. In the absence of actionable intelligence, drive him head-on into a huge pile of horse manure to extract a confession of war crimes and grand larceny. On the road to Damascus, on the road to democracy, Iraq is a hard place to get your kicks. Bring the troops home before they wind up coming after us.</image:title>
      <image:caption>Strap Rumsfeld to a board and immerse him in water until he thinks he is going to drown. Then ask him to define the word torture. -- Daniel Ellsberg Tie Rumsfeld down. Behind cold steel bars at an undisclosed location, sic German shepherds on a naked and cowering Cheney until, broken, he gives up the names of his accomplices. Force the neocons in the Bush administration to have group sex with Chalabi and a quorum of Iranian mullahs. Coerce them into revealing the secrets behind their intersecting conspiracies. Blackmail John Ashcroft with lewd photos and videotapes of his erotophobic fantasies obtained from the ghost of J. Edgar Hoover. Extort from him a solemn promise that he will handcuff himself to the bars of a cell for an indeterminate period to investigate his own corrupt ideology of unchecked police power by order of the State and unlimited control over bodies and minds of his fellow Americans. Dress Condoleezza Rice in a dominatrix bustier. Make her tear off the president’s mask and put a hood over his head to cover that idiot grin. Ship the commander-in-chief back to his ranch in Crawford shackled to the grill of his pickup. In the absence of actionable intelligence, drive him head-on into a huge pile of horse manure to extract a confession of war crimes and grand larceny. On the road to Damascus, on the road to democracy, Iraq is a hard place to get your kicks. Bring the troops home before they wind up coming after us.</image:caption>
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      <image:title>Remembering Yoshito Ohno - Make it stand out</image:title>
      <image:caption>photo courtesy of Daido Moriyama Foundation Yoshito’s smile melted snow on mountains. Because butoh has no fixed steps, the inner life of the dancer comes to the surface. As great and dynamic as other butoh artists are, there was in Yoshito and Kazuo’s butoh something especially attractive that captivated me. Ohno Etsuko, Yoshito’s wife, who chose the costumes and did the makeup for both father and son, was an integral part of their art although she has never sufficiently been credited by dance critics for her immense contributions. For me the most amazing thing about the Ohno family, including Keiko, Yoshito and Etsuko’s daughter, is their utter sweetness and the way they effortlessly exude love. Not only were Yoshito and Kazuo superb artists who changed the dynamic of world dance forever, but they were among the finest human beings I have ever met. And everyone who came in contact with the Ohno family is in agreement. There is saintliness in the air there. Leaving their house in Hodogaya, I always felt energized as if I was levitating. I visited the family home and studio perhaps forty or fifty times over 45 years. I conducted the thrice weekly workshops with Yoshito a few times for fun. I would give mental settings to the assembled dancers but never suggest how they should move. Then Yoshito would layer on his instructions. On one occasion I said, “It’s the end of the human species and you—a group of butoh dancers—are the last and only survivors, and you are also on your way out. Now dance those last moments of so-called homo sapiens.” Yoshito added, “Dance only with your back. Make your back as expressive as the front of your body.” Then he demonstrated and was masterfully engrossing in the difficult task. None of the dancers could do it convincingly, but Yoshito gave those performers something worth contemplating for years. Eulogy for Ohno Yoshito (1938-2020) Yoshito you gave your all always you listened with conviction spoke with certainty and taught what you knew to anyone passing through you smiled through adversity celebrating the journey you were light as a feather to others and tough as nails pushing yourself when you had nothing left to dance you retired from the stage then returned with newly gained wisdom stirring up unconscious residue emitting pure authenticity in your trancelike movements there was nothing ever false about you perhaps that’s why people swarmed to spend even a moment in your hallowed presence we were hungry for light and you never held back of course you had to go one day and we had to let you go but that doesn’t make it any easier to endure knowing we’ll never meet on this side of the skies again</image:caption>
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      <image:title>Yarita Misako - I Didn't Give Birth to My Mother by Yarita Misako Mini Fumi Sep. 2002, p. 6 translated by John Solt I didn't give birth to my mother in a coolish summer 45 years ago I didn't give birth to my mother my breasts swelled and my womb hurt but I didn't give birth to my mother the umbilical cord supposedly folded in Japanese paper was already lost in that way I didn't give birth to my mother I gave birth to myself while tasting the pleasure of being all alone and the labor pains called freedom I gave birth to myself a dream without impossiblities and such a protruding nail unable to be hit back in words that keep burning were born I give birth to myself I gave birth to such a burned up self I didn't give birth to my mother but easily to myself on an abortion table I spread my legs wide open and gave birth to myself while blessing myself for being able to exist alone I gave birth to myself during a coolish summer when the rice ears wouldn't grow all alone I easily gave birth to such a burned up self</image:title>
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      <image:title>Linda Haim</image:title>
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      <image:title>Linda Haim</image:title>
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      <image:title>Linda Haim</image:title>
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      <image:title>Japanese Avant-Garde - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.literatureandarts.com/ernesto-padilla</loc>
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      <image:title>Ernesto Padilla - Make it stand out</image:title>
      <image:caption>Josephine, I want you to see something. I have to tell someone before I die . . . for death that takes a rent from high and low* . . . is close at hand . . . sorry if I ramble . . . Josephine, you are so quiet, such a good listener, such bright eyes. I don’t know where you came from, or why you wanted to work for me . . . You have been an angel in this dark night. You are like a friend. Sit. I have here one-hundred letters, but I only opened two of them . . . you can see . . . only two have been opened. You see that, don’t you? I have had them for over twenty years. Before I got my inheritance, I used to deliver mail. I had just returned from the Korean War. My route was over in the Barrio, from “O” street all the way to “T” street. There was this three-room shack on Q” street. It had many fruit trees, a giant mulberry, fig, apricot and some plum trees, elegant bushes, buganbellias . . . a great variety of flowers, and lush, dense, fragrant grape tresses hanging from the dilapidated car port. It was a jungle, a garden, verdant, quiet, just luscious. As I walked up to the mail drop at the front door, I imagined myself in the Garden of Eden. Often I imagined that I heard the melodies of the wild . . . water trickling, monkeys chattering, birds singing and, sometimes, even peacocks calling out to their mates. I never saw the lady who lived there until the end, the time when I blackened my soul with greed. But I will tell you of that in good time. You must hear it all, from the beginning. No one ever saw her. It may be that she grew the verdant jungle so as to hide, so no one could see her beauty. Where I got the notion . . . who told me . . . the gossip of the barrio . . . but yes, she was a reputed beauty . . . But no one ever saw her! Her beauty was the beauty of the original Eve. I called her “Eve”: “O.K. Eve, here is another fat letter from your lover who lives in a P.O. Box in Marysville.” I always pretended to converse with my patrons. The envelopes were all the same. These here. You see, only two are open. They are official U.S. Mail envelopes, yes! And it is a federal offense to steal U.S. Mail! But I only opened two of them, and I did that only in order to return them . . . well, maybe the first one . . . Ah, why would I ever open any? . . . me a decorated . . . a Purple Heart! . . . All of the envelopes are light brown with a stamp bearing the U.S. Mail insignia. They look like official government business documents, don’t they? Without fail, like clockwork, one envelope came every two weeks. No Fina, you must believe, I didn’t steal them. I only held them to return them, someday, to the lost mail, but now I know better . . . Every two weeks I walked up to the same green door with the chipped paint. The entire house was green but not a U.S. type green. You know that odd green that Mexicans use in Tijuana. All the houses are either this loud green or an off pink or some other loud color, not like here: everything is white or a pastel yellow, toned down, sophisticated colors. I have read books on design and interior decoration in Latin American countries, trying to understand the chaos of color. No offense, I know you are Mexican, but you are different, Fina. They call you Fina, don’t they? I don’t know why you have stayed with me for so many years. I don’t even know where you live, but you are a gem. I can trust you. The letters came regularly for almost a year. My curiosity became unquenchable. Who was this “E. Mendoza,” a man or a woman? She had to be a woman, and the “E” stood for Eve, as I said. But why did Eve never come out? And who at P.O. Box 1984 in Marysville sent these U.S. Mail envelopes? And, I especially wanted to know, what was in them? All were fat. At first I imagined they were long love letters, but as I moved the hidden contents around in the envelopes, it became clear that there were evenly cut, loose, small sheets inside. Many of them! I began to alter my walking route so as to arrive at the house at odd times. I would walk my route backwards so as to end up at the house on “Q” street around three in the afternoon. I became so desperate to know more that one day I even went in to work at 5 A.M. and delivered the envelope at 7 A.M. but never did I see a hint of the human shadow about the place. I would listen with care as the envelope dropped onto the floor inside the door. After months of carefully studying the hidden flight of the four-ounce envelopes (you see, I had weighed one of them) behind the thick oak door, I concluded that the letters were not hitting the ground, but were falling on top of each other. They were stacking up higher and higher! Was Eve dead? I knew positively by this time that “E” was a woman because I could smell fresh fragrances in and about the front door and the windows (yes, in my desperation to know, I had walked around the house trying to look inside). Another hint was that she did not work. If she worked, someone would have seen her come in and out. And no one ever did. I had discretely asked her neighbors without arousing suspicion, “who lives next door that grows such beautiful roses?” But no one ever saw her. Some thought that no one lived there at all. They never saw anyone watering the garden, although some had heard water running late at night. One day I asked a Spanish lady two blocks away. her eyes widened as if she were looking at a sidewinder. “Señor, that lady fears death. She has an altar of candles.” And then she caught herself, as if she had said too much, crossed herself and would talk no more. One day, in the bleak December, I pushed the door gently. It came ajar. The bright morning sun streamed through a rear window. I couldn’t see in because the light blazed out. The next day, even though I had no mail to deliver, I came by again. The door was still ajar, very slightly ajar. For several days thereafter, the door remained ajar without closing or opening even a little. Frustrated and determined to know more of Eve, one day I pushed wide the door. There on the floor lay hundreds of envelopes: unopened, unmoved, exactly where I had dropped them. The room was eerie. I quietly pulled shut the door and walked away, frightened, thinking that I could be arrested for “breaking and entering.” The next letter came, but it was not the regular size envelope. It came in a 9 by 12 envelope which, again, was an envelope that one buys at the post office. By this time, my curiosity had me in a dither. I didn’t deliver that letter. I took it home. I opened it. Here it is, very wrinkled . . . old . . . some coffee stains . . . Lately, I have been reading it almost every day. I’ll read it to you: Dear Mrs. Elvira Josefina Mendoza, I am very sorry to tell you that Adan died yesterday. He will send you no more money. I am his wife. We have four girls, Josie, Eva, Virginia and Irene. Adan did not want you to know. I am sorry to have to tell you this. I tried to convince him to tell you a long time ago, to go see you in person, so you could go on with your life. But he felt so bad about taking you so far away from home to a strange country, and he felt bad because he had promised your sick mother that he would always care for you. I finally convinced him to call you, you will recall. I heard him tell you that he would be working on a big construction job for the government up in the mountains, hundreds of miles to the north and had agreed to not leave the job until the tunneling was finished and that is why he would not return to Tulare for many more months to come. Most of which he said was true. Adan was an expert with dynamite. After that, he could not bring himself to write or call, and he would not let me write. All he would do is send you money. He became very angry every time I threatened to write. I know he was selfish and wrong, but I loved him so and would not go against him. In going through his things, I have found nothing that might belong to you except for this starched tejido of delicate beauty and brilliant colors. The woman praying to the crucified Christ must be his mother, or it pains me to think that it may be you. God forgive me that I have wanted to keep it. Anytime you are in Marysville, remember that mi casa es suya casa.* Please send along a note to let me know how you are and if I can do anything for you. I wish you every happiness. Yours truly, Joyce Atwood Mendoza P.S., My two youngest, Josephine and Eva are twins, just one month old! I hope you can read English. After reading this letter, I went to the house late. I saw a flicker of light through the bedroom window, knocked at the door, pushed it open after getting no answer. I stumbled past the mound of envelopes and into the bedroom. There next to an altar beset with a multitude of burning candles sat a woman. She had a black transparent veil over her face. I asked her if she was alright. She nodded. She wore those old-fashioned stockings rolled down to mid-calf. She had eighteen or twenty safety pins all over her collar and down the front of her dress, like those you have on your dress. I can still remember them reflecting in the candlelight. There were coffee cups and dirty dishes scattered all about. She obviously lived In this room. I got the impression that she never left it except to water her garden or maybe buy groceries. She sat at an altar with clean white linen which was starched and had embroidered borders of delicate beauty. On the altar were pictures and statues of Christ, the Virgin Mary and other saints. In the center of the altar was a crude painting of a peasant woman praying to Christ on the cross. Behind the praying woman in the painting was a sick man in bed. A great multitude of candles burned brightly. Also on the altar there were a number of Mexican coins of different denominations. They formed a symmetrical design. They were perfectly placed at equal distances. I was mesmerized, but finally I broke silence. “Señora, why don’t you answer the door? Are you all right?” “Señor, váyase,” she whispered. “Ya se que viene a decirme que murio mi esposo.”* I have taken four years of Spanish at Tulare Union, have read many novelas* in Español, and I had often spent summers in Ensenada, two or three weeks at a time, so I know Spanish. Why, I’m almost a native speaker! asked her, “como sabes Ud. que he murido la esposo?”* She answered almost as if she hadn’t heard me, almost in a trance, “Los sobres del gobierno . . .cada semana me llega otro sobre. Mientras no los abra, no esta muerto Adan. Váyase Ud. por favor.” Then looking at me with feverish eyes that burned through the transparent veil, she raised her voice, “Ya váyase.” It came clear to me: she had been afraid to open the envelopes! She thought they were official government communications, and that they announced the death of her husband. She was polite but insistent, “Váyase, por favor.” I told her that I would not go. But she became hysterical. It was apparent to me that she had developed a phobia about the envelopes and would never touch them. She would let me say nothing more. Instead, she started praying the rosary, her body rocking . . . Her rosary, her beautiful, luminous pearl rosary, it transcended time and space. It transformed me somehow. I’ll never forget it. At the time, I thought only of its worth in American dollars, “that rosary is an expensive piece of jewelry. It must be worth hundreds!" You have one like it, Fina. Do you not? I have seen it hanging out of your pocket. That’s why I think I can tell you of my crime. I never saw her face clearly, but I’ll always remember the safety pins on her dress, the rosary and that multitude of bright candles. The bright altar reminded of a poem by H.D.*: Beware of shapes, For in them lies such magic as altars dream . . . Or is it a poem by Sylvia Plath?* No matter, but to continue . . . The next evening there was a full moon, a reddish moon. I came again . . . pushed back the door of the darkened room. By the light of the full moon, I could see her lying on the bed . . . on top of the bed. The bed was neatly made. The room was clean. She lay perfectly still, her hands together in the prayer position, the rosary interlaced between her fingers as if she were dead. I called out, “Eve.” No answer. I called out again. Louder! Or, at least, I thought I was calling out loudly. It was only a whisper. I had lost my voice. I walked about nervously in a dream trance, unable to speak, but I saw every detail. My eyes witnessed all evidence of the death preparation. A large bible lay by the bed. It was open to the front pages, the pages where one writes the family genealogy. I couldn’t read the names because it was dark, but I could tell that the names were written in a crude, uneducated hand. Next to the bible, the symmetrical coins were arranged to perfection. I moved about, trying to rouse her but still unable to speak above a whisper. I don’t know why. I knew she was dead. It then entered my mind that I might take her pearl rosary. It would sell for much. Oh, the horror . . . taking a rosary from a dead woman! I wanted to lift her veil to see her face. I knew it would be the face of a Madonna. Even though she wore the clothes of an old woman, I knew she was young. But I could do nothing except imagine that her breast heaved. I looked for even the slightest movement, looked at the rosary, turned to the coins which seemed somehow luminous. Again, the H.D. poem sang a warning, “Beware the magic of the coin that sings. These coins are graved with supernatural powers and Magic will that are more strong then ours.” I turned to the altar, looked carefully at the centerpiece, the painting. In the moonlight I could make out the story that was part of the painting. It was in Spanish. It said something to the effect that Adan Mendoza had died a spiritual death, that he had been taken by another woman, but he had come back sick and was unable to get well. His wife had invoked the name of El Señor de la Miseracordia* who would save Adan’s life. As recompense Adan’s wife dedicates to Christ this retablo* and further promises a pilgrimage to the cathedral in Mexico City. I remember the wording because I stood there reading it over and over, pronouncing the words in my silent mouth, staring deeper and deeper into the faded lives of the sick husband and the penitent wife depicted in the painting. Here was serenity and faith, neither of which have I known. After what seemed an eternity of staring at the crude but brilliantly colorful painting. I remembered the envelopes and backed away from the altar and the coins. As I fell in a slow motion, backward direction, I noticed that Eve’s feet stuck out beyond the blanket. For some reason I jerked around, spinning on the ball of my left foot. A violent shiver travelled the length of my spine. The door shut flush just as I was turning to rush out. On the back side of the door was a metal mirror, the kind that distorts the image. By the light of the moon streaming into the room, I saw my haggard image in the mirror. It was a stranger’s face: high, thin nose, black bushy eyebrows, sunken checks, grey, colorless eyes with dark circles below, deep set those eyes . . . sunk so deep they looked like caverns. I somehow escaped the room, took the envelopes, and here they are. I took them so that she could live. If there were no envelopes, then her husband still lived. My irrational mind was racing as I stuffed the envelopes into my shirt, telling myself that I was helping in some way. Yes, I did help. I am helping! You can see that, can’t you Fina? I only opened one more envelope. It had fifty, new one-dollar bills in it. All the rest are the same, one-hundred envelopes, fifty dollars in each. I am sure of it. That’s 5,000 dollars. I couldn’t keep them. The next evening I went back with the envelopes in my mail bag, but the house was empty, no furniture, nothing, except in the kitchen. Embroider doilies and linen tejidos, of all sorts were piled high on the large table. There must have been hundreds of tejidos. Also, on the table was the painting that told the story of tragedy, a story with no end it seems clear to me now. I feared the painting, but I again had the urge to take something, the delicate tejidos; however, the Mexican coins were on top of some of the stiffly starched tejidos, and I would not touch the coins that sing. Oh yes, but, I was saying . . . to return to the envelopes that have weighed so heavily on my conscience, this I must also tell. Clearly, I could not return them. I have carried these envelopes on my conscience many years. Now, you must take them, Fina. You are like her. I give them over. And, here, take this tejido also. Take them, por favor. You are like her, are you not, Fina? * * * * * Si, patron, al fin de todo, Fina, I am Fina.* ------------ * for death that takes a rent from high and low—death will take us all equally, both rich and poor (here the narrator is muttering, talking to himself). The passage is from Geoffrey Chaucer’s Canterbury Tales, “The Man of Law’s Tale.” The original passage, in Middle English, reads as follows: “For deeth, that taketh of heigh and logh his rent.” ------------ *mi casa es suya casa—my home is your home (note incorrect Spanish: suya should be su). ------------ Señor, vayase. Ya se que viene a decirme que murio mi esposo—Sir, please leave. I know that you have come to tell me that my husband is dead. Novelas—novels. Como sabes Ud. que he murido la esposo?—How do you know that your husband has died? (Note incorrect Spanish: “sabes” should be “sabe”: “he” should be “ha”; and “la” should be “su”). Los sobres del gobierno . . . cada semana me llega otro sobre. Mientras no los abra, no esta muerto Adan. Vayase Ud. por favor. Ya váyase—The government envelopes . . . each week another envelope arrives. As long as I do not open them, Adan is not dead. Please go. Go now. H.D.—Hilda Doolittle, American Poet (1886-1961). Sylvia Plath—American Poet (1932-62). ------------ El Señor de la Miseracordia—Our Merciful Lord. Retablo—an emblem, i.e., a combination of text and image into a composite picture. Si, patron, al fin de todo, Fina, I am Fina. Yes, patron. After all, Fina I am Fina. Back</image:caption>
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      <image:title>Interview on Kitasono</image:title>
      <image:caption>One of two rooms of the exhibit; photo by Lenny Lesser</image:caption>
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      <image:title>Interview on Kitasono</image:title>
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      <image:title>Interview on Kitasono</image:title>
      <image:caption>Lenny Lesser</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/c8d971fb-aa42-46cb-80ac-113da684fc81/plastic+6.jpeg</image:loc>
      <image:title>Interview on Kitasono</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/3593f44d-cc4f-4680-94b8-6a1d9671ddcc/exhibition+6.jpeg</image:loc>
      <image:title>Interview on Kitasono</image:title>
      <image:caption>Lenny Lesser</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/566a1333-2bc0-434a-8d90-29cd73fc203a/exhibition+5.jpeg</image:loc>
      <image:title>Interview on Kitasono</image:title>
      <image:caption>Lenny Lesser</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/b79b0bcb-574b-4fd5-b5ad-de149271f665/plastic+5.jpeg</image:loc>
      <image:title>Interview on Kitasono</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/7b3bf97e-e153-49f1-9672-a560b124e268/exhibition+3.jpeg</image:loc>
      <image:title>Interview on Kitasono</image:title>
      <image:caption>Bicycle Guide; photo by Peter Brenner ⓒ LACMA</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/b4397f50-ef89-4ad8-b20d-b56f43c154b0/plastic+4.jpeg</image:loc>
      <image:title>Interview on Kitasono</image:title>
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    <image:image>
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      <image:title>Interview on Kitasono</image:title>
      <image:caption>Bicycle Guide; Peter Brenner</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/52ce6a6c-8088-472a-84c7-4f7cd3fde2a9/plastic+3.jpeg</image:loc>
      <image:title>Interview on Kitasono</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/188ab0b4-b4c8-4160-970a-3bc8cbaa00d3/exhibition+2.jpeg</image:loc>
      <image:title>Interview on Kitasono</image:title>
      <image:caption>Lenny Lesser</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/edb7c4d4-cabb-49c1-8574-cc4b71445565/plastic+2.jpeg</image:loc>
      <image:title>Interview on Kitasono</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/cc1647df-40b5-48e6-883d-770cd28df784/exhibition+8.jpeg</image:loc>
      <image:title>Interview on Kitasono</image:title>
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    <image:image>
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      <image:title>Interview on Kitasono</image:title>
      <image:caption>“Forgotten Man,” photo by Kitasono Katue, later published in Stereo Headphones no. 7, special edition, 1975.</image:caption>
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      <image:title>Interview on Kitasono - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Ghost Prevention in Thailand - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Ghost Prevention in Thailand - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/d1815661-4c98-438c-aa70-f6185fbc36d8/ghost+4.jpeg</image:loc>
      <image:title>Ghost Prevention in Thailand - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Ghost Prevention in Thailand - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/1aabcd0c-2b9d-4746-b4b1-97a7d2f1dcea/ghost+7.jpeg</image:loc>
      <image:title>Ghost Prevention in Thailand - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Ghost Prevention in Thailand - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Ghost Prevention in Thailand - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Ai WeiWei</image:title>
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    <image:image>
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      <image:title>Ai WeiWei</image:title>
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      <image:title>Ai WeiWei</image:title>
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      <image:title>Ai WeiWei</image:title>
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    <image:image>
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      <image:title>Ai WeiWei - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Ai WeiWei - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Danielle Haim</image:title>
      <image:caption>Dambulla, Sri Lanka</image:caption>
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      <image:title>Danielle Haim</image:title>
      <image:caption>Dambulla, Sri Lanka</image:caption>
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      <image:title>Danielle Haim</image:title>
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      <image:title>Danielle Haim</image:title>
      <image:caption>Sigiriya, Sri Lanka</image:caption>
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      <image:title>Danielle Haim</image:title>
      <image:caption>Mahabalipuram, India</image:caption>
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      <image:caption>Hong Kong</image:caption>
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      <image:title>Wallace Berman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/e0569b2e-2a49-4624-a89f-80b881b69ae6/Wallace+Berman_Page_2.jpg</image:loc>
      <image:title>Wallace Berman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Wallace Berman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Wallace Berman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Wallace Berman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/bcf0e1bf-f6cd-4405-86a6-b60afac79356/Wallace+Berman_Page_6.jpg</image:loc>
      <image:title>Wallace Berman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Wallace Berman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Wallace Berman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Wallace Berman - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Kitasono Katue + Vou Poets - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Kitasono Katue + Vou Poets - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Kitasono Katue + Vou Poets - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Thich Nhat Hanh - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.literatureandarts.com/new-page-11-1</loc>
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    <lastmod>2022-07-30</lastmod>
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    <lastmod>2022-08-08</lastmod>
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      <image:title>Ernesto Padilla (Copy) - Make it stand out</image:title>
      <image:caption>Illustration by Linda Haim</image:caption>
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    <loc>https://www.literatureandarts.com/new-page-30-jah</loc>
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      <image:title>Linda Haim Lo real maravilloso</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/c245c4a0-089f-4398-9d0b-cb5298e14e33/67E97620-EA47-4111-8045-562C92261B4A_1_201_a.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Jazz Musician (detail)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/6ead1573-ce14-4ca3-a281-f1b7b56e54aa/IMG_2192.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Climate Refugees - Mother and Children</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/923f25e6-b44f-428a-8a0b-5fea7abd274e/IMG_0289.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Jazz Musician. Fabric, poly-fill, acrylic paint, wool, music sheets, matte medium, cheese cloth, wire screen, music stand. h. 5'8" w. 25"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/7537fc33-f6bf-465b-9c29-bbd63e0966d8/IMG_0291.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Jazz Musician (back view)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/7bc51a45-51af-4322-a526-2eda836c0c46/IMG_0395.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Climate Refugees-Mother. Plaster gauze, bamboo tray, acrylic paint,, fabric, poly-fill, seeds, shells, beads, bamboo mat, cheese cloth. silk worm cocoons. stand. h. 4'5" w.18".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/7f3e5499-8269-4acc-97f8-f283565ff3cd/IMG_0283+2.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Climate Refugees - Brother. Bamboo plate, acrylic paint, canvas material, wire, seeds, wire screen, plastic sushi, oil pastel, mini hot sauce bottle, plaster, gauze. h.3'3"w. 20"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/b050c321-092d-4010-a8b6-217c858383d9/IMG_0944.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Climate Refugee-Sister. Bamboo plate, acrylic paint, papièr maché, poly-fill, shells, seeds, dried plants, canvas material, stretch fabric, gesso, cheese cloth. h3'10'w1'9'</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/7b0cbe88-3ef4-44c5-a861-42ed28ba685c/IMG_0466.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Cardinal. Fabric, poly-fill, acrylic paint, styrofoam, dowel, plaster of Paris. h. 5' w 14".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/ae263734-fd24-491e-9ca5-42eb41886eb8/IMG_0355.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Pregnant Nun. Fabric, poly-fill, acrylic paint, veriform, lampshade. h. 4'8' w. 22".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/8f3dd63b-515c-4f41-9520-3d6e079b8cf9/IMG_0462.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Cardinal and Pregnant Nun</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/36964eaa-b40a-4030-8522-ebcc62963e2d/IMG_0359.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Pregnant Nun (detail)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/def249b2-2c8c-4915-8b3a-ce87bbe09e4d/IMG_0301.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Village Woman in Sari. Papier maché, acrylic paint, jewels, fabric, wood, stand, pillow. h. 5'1'w. 21"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/6668f9b1-9617-4600-a20f-d0401afaeeeb/IMG_0388.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Village Woman in Sari (detail)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/81355da4-b139-4342-bfde-926080557124/IMG_0383.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Bride. Fabric, hair, hairnet, acrylic paint, jewels, lampshade, veriform. h. 4' 9" w. 17".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/3aaf5c9e-a155-41c2-a7cd-581c705e7cf6/IMG_0382.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Bride (detail)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/fbd09ea2-b6bd-4a50-bf88-0361fa08700c/IMG_0566.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>"Recyclo." Wood, chicken wire, stretch fabric, acrylic paint, shells, glass, glass eyeballs, driftwood, cheese cloth, bicycle reflector, wires, shower head, pill containers, cork. h. 5'9" w. 2'6"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/dbfd1086-94b6-4285-851a-d58b7d616991/IMG_0568.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>"Recyclo." (detail)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/25895296-7f44-43be-aeeb-36033aca3907/IMG_0384.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Bride (close-up)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/82fcdaf5-e210-4659-873c-80c6d4b60a17/IMG_0470.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Woman in Bamboo Outfit. Wood paddle, copper coins, pill bottles and boxes, wax, film canisters, bamboo matts, fabric, poly-fill, metal stand, hand made flowers, rocks, tiles. h. 4'10'' w. 16"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/c45ca45a-c2f8-4d3b-8efa-669419798bff/IMG_0469.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Woman in Bamboo Outfit (detail)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/3cd63772-c5f7-42cb-8ef1-1d86cc6eaf86/IMG_0410.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Woman in Bamboo (back)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/45ec5fdf-ea07-4785-a2f0-b7bba719501d/IMG_0437.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Mujer de los barrios populares de Sur America (detail)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/8b87dd09-4178-40fb-b059-fb515f8a4785/IMG_0436.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Mujer de los barrios populates de Sur America. Papier mache, chicken wire, wood, fabric, poly-fill, wire basket with miscellaneous items hanging. h.5'3" w. 20".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/3931ec3d-6131-4245-b460-75ba50642219/IMG_0472.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Hibakusha. Papier mâché, acrylic paint, wood, fabric, faux hair, clay, stand. h. 5'5" w. 19"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/0af75424-a355-431a-9374-0e9b9088322c/IMG_0474.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Hibakusha (detail)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/0927ad28-ce99-427b-a099-5bcfeb49b918/IMG_0562.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Señora Muerte (detail.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/49fc4cfc-e713-4687-90d8-0138c9ccb15b/IMG_0321.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Pink Angel with Hat (detail)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/a7fa2870-c4cf-4a73-8c3e-e2121cda70f1/IMG_0324.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Pink Angel (detail)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/69ccd481-7c77-4e56-89fd-d484c1b383ca/IMG_0490.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Pink Angel with Hat. Lampshade, poly-fill, fabric, acrylic paint, gesso, plaster of Paris. h. 3'6" w. 33"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/4b585f73-4b24-430e-b39e-098f37ec285e/IMG_0322.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Señora Muerte. Papier Mache, gauze, wood, fabric, hula hoop, tube, acrylic paint, stepstool, candle. h. 5' w. 2'.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/dab4a136-b8f5-4bcd-9b44-f386b606a9f9/IMG_0533.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Dancer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/cd83d97e-7f5e-4555-944e-d779bc30e0d3/IMG_0537.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Dancer. Fabric, poly-fill, plaster gauze, acrylic paint, vermiform, umbrella, slinkies, ballet slippers. h. 5'1" w. 2'1"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/bda03f1f-28ad-4cb4-8f6b-22e8b55004d7/IMG_0527.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Dancer (detail)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/776b8de5-de0e-42be-a360-1bd9f2197d52/IMG_0626.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Kogi, indígena de la Sierra Nevada de Santa Marta, Colombia. Papier Mache, fabric, felt, faux hair, wood, acrylic paint, quena, metal stand. h 3'10" w 15".</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/cc16c772-2d12-40be-b0a9-41c05f7863ce/IMG_0516.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Devil Angel with Red Wings (detail)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/fd1f95d7-9049-4139-a723-c5d7457381a8/IMG_0512.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Devil Angel with Red Wings. Wool, fabric, poly-fill, acrylic paint, lampshade. h. 3'8" w. 40"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/bb4cb5be-e179-4f25-bc88-e924f1ca1966/IMG_0643.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Kogi, indigena de La Sierra Nevada de Santa Marta, Colombia. (detail.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/85d69a94-6148-4117-b829-f25825639ab0/IMG_0685.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Judge 2: Hear No Evil. h. 5' w. 22". Fabric, acrylic paint, poly-fill, foam, placemat, trim, wood stand with wheels.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/3fbe8c9e-4ef4-4987-bf23-239acf0b79e5/IMG_0686.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Judge 2: Hear No Evil (detail)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/0d749e3d-2f44-445f-a739-0be535a90748/IMG_0687.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Judge 3: See No Evil. h. 5'8" w. 26". Fabric, acrylic paint, poly-fill, foam, placemat, trim, tripod stand.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/653ca960-19d5-4412-afa9-81a9b825c1b5/IMG_0690.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Judge 3: See NO Evil (detail)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/7e9c2904-c372-4111-bf34-02f6963022c4/IMG_0678.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Judge 1: Speak No Evil (detail)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/cab03437-3207-44b4-b935-32bbcd9f798c/IMG_0695.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>The Three Judges</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/bf561b76-f673-4361-8bd3-99baa4c64aaf/IMG_6855.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Rufus (commissioned by the Palo Alto Humane Society). Fabric, poly-fill, acrylic paint, wire stand. h.4'10" w. 18". Rufus now is with Project HumaneKind.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/2beaa078-ca19-4ed2-9eec-42bee691c1c6/IMG_0673.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Judge 1: Speak No Evil. h. 5'10" w. 2'9". Fabric, gesso, acrylic paint, foam, poly-fill, canvas, wood stand.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/2a007d8e-ed84-45ed-9374-966a451f6061/IMG_2331.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Rufus (detail)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/ed4a74ad-168b-454b-ab05-4c13cc2602dd/IMG_0809.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Soldier with Hook Nose. h.3'6" x w. 9" Plaster of Paris, cheesecloth, fabric, polypill, marbles, acrylic paint, paper machè, vinyl, beads, string.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/41779581-c3cd-4f5e-a371-d20f915044d1/IMG_0813.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Soldier with Pearl Teeth. h. 2'11"x w. 9" Plaster of Paris, cheesecloth, fabric, polypill, acrylic paint, wool. white beads, vacuum hose, paper machè, vinyl, string.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/b808bf79-d1e7-4ee4-9e5b-ebf7ea3aaeb3/IMG_0826.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Soldier with Dark Glasses h. 3'4"x w. 12" Plaster of Paris, cheesecloth, fabric, polypill, glasses, wool, shells, styrofoam, vacuum hose, paper machè, brass tacks, vinyl, acrylic paint, string.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/730b6225-276a-4749-8b18-cc15103f9a22/IMG_0830.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Fierce Soldier (detail)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/76957261-f937-474f-9a0b-90afc21f1ffc/IMG_0824.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Soldier with Dark Glasses (detail)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/aade0cd9-0047-4816-b093-e2a8d70ef946/IMG_0810.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
      <image:caption>Soldier with Hook Nose (detail)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/9c75e9f8-4016-4706-ab01-8c744077d779/IMG_0816.jpeg</image:loc>
      <image:title>Linda Haim Lo real maravilloso</image:title>
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      <image:caption>THIRD RAIL No. 9 features a festschrift for artist Wallace Berman featuring essays by Robert Duncan and Jack Hirschman about Berman and his art, interviews conducted by editor Uri Hertz with poet/playwright Michael McClure, legendary actor Russel Tamblyn and assemblage artist George Herms, and reproductions of the artist's unique sculpture, collage and graphic art. Also featured in this issue are Kitasono Katue, dadaist originator of concrete poetry in Japan, and the poets of VOU magazine. Other featured include an interview with Oliver Stone, Fernando Alegria on The Inhabitants of Wing Place, Ira Cohen's In and Out of Paris and London, Juan Epple's Letter from Chile and Blaise Cendrars in Latin America by editor Uri Hertz. After THIRD RAIL No. 9 appeared in 1988, publication of the magazine was temporarily suspended for a period that wound up lasting fifteen years</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/26095205-07be-454c-9b06-4c13e0b86077/Third+Rail+3.1_Page_04.jpg</image:loc>
      <image:title>Home - Issue 3 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.literatureandarts.com/work/issue5</loc>
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    <lastmod>2022-04-05</lastmod>
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      <image:title>Home - Issue 5 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - Issue 5 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.literatureandarts.com/work/issue4</loc>
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    <lastmod>2022-04-05</lastmod>
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      <image:title>Home - Issue 4 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Home - Issue 4 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.literatureandarts.com/work/issue7</loc>
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    <lastmod>2022-02-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/0761147f-5a6c-4b68-9bfa-d7fd163fb9de/Third+rail+7+complete_Page_01.jpg</image:loc>
      <image:title>Home - Issue 7 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.literatureandarts.com/work/issue-8</loc>
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    <lastmod>2022-03-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/ca6b22bb-a8c1-4009-bb1b-751b67f82a40/Rexroth+third+rail+8.jpeg</image:loc>
      <image:title>Home - Issue 8 - From this Issue: Remembering Kenneth Rexroth</image:title>
      <image:caption>See Also: Rexroth 2nd Festschrift from 2005</image:caption>
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    <image:image>
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      <image:title>Home - Issue 8 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.literatureandarts.com/work/issue6</loc>
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    <lastmod>2022-02-25</lastmod>
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      <image:title>Home - Issue 6 - Make it stand out</image:title>
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      <image:title>Home - Issue 6 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.literatureandarts.com/kazuo-ohno-centenary</loc>
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    <priority>0.75</priority>
    <lastmod>2022-12-26</lastmod>
  </url>
  <url>
    <loc>https://www.literatureandarts.com/kazuo-ohno-centenary/dancing-with-ohno-by-john-spayde</loc>
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    <priority>0.5</priority>
    <lastmod>2022-02-17</lastmod>
  </url>
  <url>
    <loc>https://www.literatureandarts.com/kazuo-ohno-centenary/kazuo-ohno-butoh-by-jack-egan</loc>
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    <lastmod>2022-02-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/ad381826-3f80-4e2b-be2e-d2b3b56ed690/ohno+jack+egan.jpeg</image:loc>
      <image:title>Kazuo Ohno Centenary - Kazuo Ohno &amp; Butoh by Jack Egan - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.literatureandarts.com/kazuo-ohno-centenary/the-androgynous-ghost-in-a-cup-filled-with-ocean</loc>
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    <lastmod>2022-02-15</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/0d42530c-0ea3-47b2-9775-96ef46d9c70b/ohno+ira+cohen.jpeg</image:loc>
      <image:title>Kazuo Ohno Centenary - The Androgynous Ghost in a Cup Filled with Ocean - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/d0e13203-224f-481b-bb7c-71cc3ace90fb/ohno+2.jpeg</image:loc>
      <image:title>Kazuo Ohno Centenary - The Androgynous Ghost in a Cup Filled with Ocean - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/5e87f94f-74bb-4828-a0ae-ddcdcf82f9e7/ohno+3.jpeg</image:loc>
      <image:title>Kazuo Ohno Centenary - The Androgynous Ghost in a Cup Filled with Ocean - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.literatureandarts.com/kazuo-ohno-centenary/project-six-6gcwc</loc>
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    <lastmod>2022-02-15</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/94e65413-cbae-4a08-b0fa-ea4c04dbee8c/Workshop+Words1.jpeg</image:loc>
      <image:title>Kazuo Ohno Centenary - Workshop Words [Keiko no kotoba] - Make it stand out</image:title>
      <image:caption>photo: H. Tsukamoto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/96a53221-fd21-421a-bd9c-78781bd0db57/Workshop+Words2.jpeg</image:loc>
      <image:title>Kazuo Ohno Centenary - Workshop Words [Keiko no kotoba] - Make it stand out</image:title>
      <image:caption>photo: Naoya Ikegami 1977</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/0d60db49-37b8-46d3-a1a5-00e5183186c2/Workshop+Words3.jpeg</image:loc>
      <image:title>Kazuo Ohno Centenary - Workshop Words [Keiko no kotoba] - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.literatureandarts.com/kazuo-ohno-centenary/project-five-7cckn</loc>
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    <priority>0.5</priority>
    <lastmod>2022-02-15</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/ddf23ace-f5e6-44f7-a69d-7fcaf2c79a79/Dead1.jpeg</image:loc>
      <image:title>Kazuo Ohno Centenary - Dead Start Running - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/6badf9a8-3759-4af1-bcfd-7e747cd4ec5d/dead+2.jpeg</image:loc>
      <image:title>Kazuo Ohno Centenary - Dead Start Running - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.literatureandarts.com/kazuo-ohno-centenary/project-four-j54m3</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-15</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/e3c3f599-50d5-49c9-a697-8c2b808d2617/Dead+1.jpeg</image:loc>
      <image:title>Kazuo Ohno Centenary - Ohno Kazuo: Pioneer of Avant-Garde Dance - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.literatureandarts.com/kazuo-ohno-centenary/project-three-4srhc</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-15</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/8e1e5303-0b97-4b53-b6a1-236036fb6c51/Bubriski+1.jpeg</image:loc>
      <image:title>Kazuo Ohno Centenary - Kazuo and Yoshito Ohno Studio, Yokohama</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/1d45cfd1-a26b-493e-b267-2fbb4d5fe7c5/Bubriski+2.jpeg</image:loc>
      <image:title>Kazuo Ohno Centenary - Kazuo and Yoshito Ohno Studio, Yokohama - On a very hot summer day in 1996 Nakamura Tomatsu, his wife, photography assistant and I headed off in Nakamura's van with Hasselblad cameras, lights and light stands from his home in Nerima, Tokyo. Even with the air conditioning up full blast and curtains on the windows, the heat was almost unbearable. Mid-afternoon we reached Kazuo Ohno’s home and studio in Yokohama.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/0579ac5e-b3d2-47ef-bf3f-1a11ad85e206/Bubriski+3.jpeg</image:loc>
      <image:title>Kazuo Ohno Centenary - Kazuo and Yoshito Ohno Studio, Yokohama - I photographed while Kazuo and Yoshito put on the makeup and then for the next hour or more through all the variations in movement, gesture, expression and costume. Kazuo’s and Yoshito’s generosity was absolutely extraordinary. This entire performance was for only my camera.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/4b9e0059-95b4-4bbb-bb73-74f177994941/Bubriski+4.jpeg</image:loc>
      <image:title>Kazuo Ohno Centenary - Kazuo and Yoshito Ohno Studio, Yokohama</image:title>
      <image:caption>We were all then invited for dinner with Kazuo Ohno’s entire family. There were more than twelve of us at the long table—from ninety year old Kazuo Ohno down to primary school aged great grandchildren.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.literatureandarts.com/kazuo-ohno-centenary/project-two-868zf</loc>
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    <priority>0.5</priority>
    <lastmod>2022-02-15</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/32314ded-fc88-48b9-aea1-ed69747351d9/Hosoe+1.jpeg</image:loc>
      <image:title>Kazuo Ohno Centenary - Kazuo Ohno in Hokkaido, 1994</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/61c89452-23d7-42f2-a0f2-7aa37514b865/Hosoe+3.jpeg</image:loc>
      <image:title>Kazuo Ohno Centenary - Kazuo Ohno in Hokkaido, 1994 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/f8344435-69a1-4179-9a6c-6ae3c4881fdc/Hosoe+2.jpeg</image:loc>
      <image:title>Kazuo Ohno Centenary - Kazuo Ohno in Hokkaido, 1994 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/20a9e7cc-1efa-4895-847e-eccefb2fb840/Hosoe+4.jpeg</image:loc>
      <image:title>Kazuo Ohno Centenary - Kazuo Ohno in Hokkaido, 1994</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.literatureandarts.com/kazuo-ohno-centenary/project-one-znptw</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/5cbb7454-2eb8-4e34-bd19-3b4448806d78/Frank+Ward+Photograph+1.jpeg</image:loc>
      <image:title>Kazuo Ohno Centenary - Kazuo Flowers, Amherst, Massachusetts, 1993</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/a8840d04-5b7e-4cc0-83bb-e71a6b8deca5/Frank+Ward+Photograph+2.jpeg</image:loc>
      <image:title>Kazuo Ohno Centenary - Kazuo Flowers, Amherst, Massachusetts, 1993</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/b35b3f52-dc4c-4613-a24c-12a66f025e1d/Frank+Ward+Photograph+4.jpeg</image:loc>
      <image:title>Kazuo Ohno Centenary - Kazuo Flowers, Amherst, Massachusetts, 1993</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/420ea7e7-947b-4dce-a659-599c0d9ac908/Frank+Ward+Photograph+3.jpeg</image:loc>
      <image:title>Kazuo Ohno Centenary - Kazuo Flowers, Amherst, Massachusetts, 1993</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/54165293-3cd0-42c0-abbd-bf12168db794/Frank+Ward+Photograph+5.jpeg</image:loc>
      <image:title>Kazuo Ohno Centenary - Kazuo Flowers, Amherst, Massachusetts, 1993 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.literatureandarts.com/kenneth-rexroth</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-04-13</lastmod>
  </url>
  <url>
    <loc>https://www.literatureandarts.com/kenneth-rexroth/project-six-9c4ca</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/9e0a7ee0-14ac-464c-b85e-108221042622/Camping+stove.jpeg</image:loc>
      <image:title>Kenneth Rexroth - Rochelle Lerner - Three Sparks in the Tinder of Knowing - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.literatureandarts.com/kenneth-rexroth/project-five-n3nc7</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/f0e52297-37f7-4c6f-84df-392e998896e9/IMG_1089.jpg</image:loc>
      <image:title>Kenneth Rexroth - Doren Robins - Adding to Our Nature - Make it stand out</image:title>
      <image:caption>Doren Robbins: Rexroth, cracked light</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.literatureandarts.com/kenneth-rexroth/project-four-2h97g</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/d101846d-6266-4d7d-9ba2-050bcccc3a14/Rexsalon-781x588.jpg</image:loc>
      <image:title>Kenneth Rexroth - John Solt - WITH A TABLOID BIOGRAPHER WHO NEEDS AN OEUVRE? - Make it stand out</image:title>
      <image:caption>Rexroth's Salon, 1956 (l to r) Kenneth Rexroth, unidentified man, Lawrence Ferlinghetti, Dr Leland Rather, three unidentified men, a visiting Korean woman poet speaking with Ruth Witt-Diamant, Marthe Rexroth.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.literatureandarts.com/kenneth-rexroth/project-three-j2t4h</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/7f180375-44a5-43b1-ad54-63bdf72925d6/Rexroth+Japanese.jpeg</image:loc>
      <image:title>Kenneth Rexroth - Tetsuya Taguchi - Introduction to Rexroth's Selected Poems in Japan - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.literatureandarts.com/kenneth-rexroth/project-two-32jxd</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/620bf902cc2e5c57dd96de6e/da70380e-d0d3-4990-879f-9a2dbdc98c8a/Rexsalon1-738x550.jpg</image:loc>
      <image:title>Kenneth Rexroth - Uri Hertz - The King is Dead: Long Live the King! - Make it stand out</image:title>
      <image:caption>Photo courtesy of Ruth Witt-Diamant &amp; family</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.literatureandarts.com/kenneth-rexroth/project-one-nfw37</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-28</lastmod>
  </url>
  <url>
    <loc>https://www.literatureandarts.com/portfolio-1</loc>
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    <priority>0.75</priority>
    <lastmod>2022-03-11</lastmod>
  </url>
  <url>
    <loc>https://www.literatureandarts.com/portfolio-1/project-six-xhp2g</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847359798-BCTJTJAS19PV54HL6VPM/20140301_Trade-151_0124-copy.jpg</image:loc>
      <image:title>Portfolio 1 - Project Six</image:title>
    </image:image>
    <image:image>
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      <image:title>Portfolio 1 - Project Six</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847357814-SZ205VXUQGAN268M8A18/20140301_Trade-151_0124-copy.jpg</image:loc>
      <image:title>Portfolio 1 - Project Six</image:title>
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    <image:image>
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      <image:title>Portfolio 1 - Project Six</image:title>
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      <image:title>Portfolio 1 - Project Five</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847351213-Z61O7XETZM827W8NSG74/20140301_Trade-151_0124-copy.jpg</image:loc>
      <image:title>Portfolio 1 - Project Five</image:title>
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    <image:image>
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      <image:title>Portfolio 1 - Project Five</image:title>
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    <image:image>
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      <image:title>Portfolio 1 - Project Five</image:title>
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      <image:title>Portfolio 1 - Project Five</image:title>
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      <image:title>Portfolio 1 - Project Five</image:title>
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      <image:title>Portfolio 1 - Project Five</image:title>
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      <image:title>Portfolio 1 - Project Four - Make it stand out.</image:title>
      <image:caption>It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more. Or maybe you have a creative project to share with the world. Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>Portfolio 1 - Project Four - Make it stand out.</image:title>
      <image:caption>It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more. Or maybe you have a creative project to share with the world. Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Portfolio 1 - Project Four - Make it stand out.</image:title>
      <image:caption>It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more. Or maybe you have a creative project to share with the world. Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>Portfolio 1 - Project Three</image:title>
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      <image:title>Portfolio 1 - Project Three</image:title>
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      <image:title>Portfolio 1 - Project Three</image:title>
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      <image:title>Portfolio 1 - Project Three</image:title>
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      <image:title>Portfolio 1 - Project Three</image:title>
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      <image:title>Portfolio 1 - Project Two</image:title>
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      <image:title>Portfolio 1 - Project Two</image:title>
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      <image:title>Portfolio 1 - Project Two</image:title>
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      <image:title>Portfolio 1 - Project Two</image:title>
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      <image:title>Portfolio 1 - Project One</image:title>
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